Retinal Optics Art Research
Retinal Optics Art Research (ROAR) is a lab founded and directed by Dr. Max Hattler under the umbrella of ACIM, School of Creative Media, City University of Hong Kong. The aim of the lab is to investigate and develop ‘expanded’ stereoscopic processes within artistic practices which subvert, challenge, or expand traditional stereoscopic imaging – the normative practice of emulating three-dimensional human vision – to offer new binocular perceptions and aesthetics. Research outputs include several conference presentations, lectures and written publications as well as creative works including films, interactive works and audiovisual performances.
Artistic Research
3D glasses, head tracking. Premiered at Art Machines: Past/Present, Indra and
Harry Banga Gallery, City University of Hong Kong, Hong Kong,
November 24, 2020 – April 2021.
Experimental Animation and the Bauhaus Legacy, Future Cinema Studio,
School of Creative Media, City University of Hong Kong, September 14, 2019
Animamix Biennale 2015-16, Run Run Shaw Creative Media Centre,
Hong Kong, 21 Mar 21 – Apr 17, 2016
ACIM Individual Research Fellowship, Retinal Rivalry 360. Grant amount: HK$ 0. PI: Max Hattler
GRF grant, Expanded Stereoscopy. Grant amount: HK$ 315,525. PI: Max Hattler. Co-Is: Jeffrey Shaw, Jürgen Hagler, Matthew Gidney
Teaching Development Grant, CityU, Alternative Binocular Vision in Experimental Animation. Grant amount: HK$ 236,900. PI: Max Hattler. Co-I: Jeffrey Shaw
HKADC Project Grant, Parallaxity. Grant amount: HK$ 132,500. PI: Max Hattler
ACIM Individual Research Fellowship, Retinal Rivalry 360. Grant amount: HK$ 0. PI: Max Hattler
Strategic Research Grant, CityU. Expanding Stereoscopy: Breaking the Fusion. Grant amount: HK$100,000. PI: Max Hattler
NVIDIA GPU Grant, NVIDIA Corporation. PI: Max Hattler
ACIM Individual Research Fellowship, Retinal Rivalry 360. Grant amount: HK$ 20,000. PI: Max Hattler
Research Startup Grant, CityU. Expanded Stereoscopic Audiovisual Performance. Grant amount: HK$199,951. PI: Max Hattler
ACIM Individual Research Fellowship, Retinal Rivalry 360. Grant amount: HK$ 20,000. PI: Max Hattler
Hattler, M., Cheung, T.M.C., “Into the Vœrtex: Case Study of a Stereoscopic Abstract Animation Installation”. In Animation Practice, Process & Production, Vol. 10, No. 1, pp. 51-71, Bristol: Intellect
Hattler, M. “Rupturing Visions: Towards an Expanded Stereoscopy”. In J. Hagler, M. Lankes, A. Wilhelm (eds.), Expanded Animation: Mapping an Unlimited Landscape, 2019, pp. 72-85, Berlin: Hatje Cantz
Hattler, M. “From Broken Visions to Expanded Abstractions.” In Cartoon and Animation Studies, vol. 49, 2017.12, pp. 697-712, Seoul: Korean Society of Cartoon and Animation Studies
Art Machines: Past/Present, Hattler, M. Vœrtex. Interactive installation, semi-CAVE, 360° stereoscopic digital animation, 3D glasses, head tracking. Indra and Harry Banga Gallery, City University of Hong Kong, Hong Kong, November 24, 2020 – April 2021.
Taichung International Animation Festival, Hattler, M., Hattlerizer 4.D, stereoscopic audiovisual live performance. Kbro Cinemas, Taichung, Taiwan, October 13, 2019
Lightplay. Experimental Animation and the Bauhaus Legacy, Hattler, M., Hattlerizer 4.D, stereoscopic audiovisual live performance. Future Cinema Studio, School of Creative Media, City University of Hong Kong, September 14, 2019
Anifilm International Festival of Animated Films, Hattler, M., Hattlerizer 4.D, stereoscopic audiovisual live performance. Světozor Cinema, Trebon, Czech Republic, May 10, 2019
Multiversal Experiences, Hattler, M., O≠O, stereoscopic VR artwork prototype, School of Art, Design and Media (ADM), Nanyang Technological University, Singapore, February 22–23, 2018.
Hattler, M., “'Expanded Stereoscopy: Developing New Aesthetic Forms for 3D Films”, Art Machines 2: International Symposium on Machine Learning and Art, City University of Hong Kong, June 11, 2021
Hattler, M., Speaker, “Developing Alternative Aesthetics for Artistic Expression in Experimental Stereoscopic 3D Films”, 4th International Conference - Stereo & Immersive Media, Lusofona University, Lisbon, Portugal, June 19, 2021
Hattler, M., Invited Speaker, “Experimental Animation Between Art and Technology”,
Computational Media and Arts Seminar Series: Max Hattler & Tianran Duan - Methodologies of Experimental Animation, The Hong Kong University of Science and Technology, Hong Kong, December 4, 2020
Hattler, M., Invited Speaker, “Art, Technology and Abstraction: Experimental Animation Between Visual Music and Oblique Storytelling”, AI^2 TechArt Conference, 21st Advanced Imaging International Festival, Graduate School of Advanced Imaging Sciences, Chung-Ang University, Seoul, South Korea, November 13, 2020
Hattler, M., Invited Speaker, “Synaesthetic Abstractions”, Taichung International Animation Festival, Taichung, Taiwan, October 12, 2019
Hattler, M., Speaker, “Parallax Relax: Expanded Stereoscopy”, Art Machines: International Symposium on Computational Media Art, School of Creative Media, City University of Hong Kong, Hong Kong, January 6, 2019
Hattler, M., Keynote Speaker, “Expanded Stereoscopy 360”. Multiversal Experiences, School of Art, Design and Media (ADM), Nanyang Technological University, Singapore, February 22–23, 2018
Hattler, M., Invited Speaker, “Broken Visions in Stereo”, Expanded Animation Symposium, Ars Electronica Festival, Linz, Austria, September 8, 2017
Hattler, M., Speaker, “From Broken Visions to Expanded Abstractions”, Asia Animation Forum, Bucheon, Republic of Korea, October 22, 2017
Hattler, M. Speaker, “Expanded Abstractions : From Fake Holography to Broken Stereoscopy”, 29th Annual Society for Animation Studies Conference, Padua, Italy, July 3–7, 2017
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